What Does VHS Stand For?

The VHS cassette was initially developed in 1971 by engineers working for JVC Corporation. Unlike their old video recording techniques, emerging VHS machines have been granted a series of strict delegations by the main engineers of Sherishi and Chaseo Tacano, all of which intend to make the new technology friendly to the consumer as much as possible. For example, the cassette and players should be compatible with the TVs that most families already have. The cassette needed to be able to keep two hours of registered materials, and the image quality should be good like broadcasting TV. The cassette needs to be used in all players, compatible with video cameras, and simple enough to not be very difficult. And most importantly, they need to be affordable.

Shiraishi and Takano started working with their team, but the project immediately stopped when JVC faced financial success, forcing them to reduce the budget of the VHS research team. However, Sherishi and Takano continued to work in the project in their spare time and invented a preliminary model of VHS by 1973.

Almost at the same time, Sony was developing a similar technology called Betamax. In 1975, Betamax was distributed throughout the world of technology and was wandering with consumers. Sony owned the technology license, which, through all measures, visually superior and larger. At least most consumers feel this way. However, JVC believes in a standard philosophy open to their VHS technology, which allowed them to participate technology with other companies. Sony was the only company that could make Betamax Cassettes, while everyone could enter the VHS game.

VHS players were also cheaper than Betamax players, and VHS started out of the market in the early eighties. By 1987, VHS dominated 90 % of the home video market.

And what “VHS” represents? It symbolizes the home house system. No, there is no tilted in the name, as in the horror selection chain “V/H/S”.

Gen-xers is likely to be very sad about VHS. Because technology was cheap and compressed, it was easy to multiply. The world’s first video rental store was opened by local businessman Eckhard Baum in Germany in 1975. He was renting 8 mm films at first but he moved to videos when technology began to flourish. Video rental outlets began to appear all over the world in the early eighties, and tenants usually offer Betamax and VHS formats. The 20th Center Fox was the first main studio to authorize their films to distribute home video. Among the first headlines available to the audience are “Batch Cassidy and Children of Sandans”, “M*A*S*H”, “Hello, Dolly!” , “Patton”, “The French Connection”, “The King and I” and “The Sound of Music”.

One has to throw their minds again to understand the vipre of the VHS to consumers. Before the domestic video, it was the only way for people to watch classic films either in a cut format on TV or at the Reportory Theater. Certainly, people were able to watch their favorite films over and over again in such theaters, but the idea of ​​having a , its presence is at hand, and the ability to watch it whenever you want? It was revolutionary.

Suddenly, everyone was able to reach a cinematic school. Video rental ports allowed film consumption to explode, with some movie amateurs are now able to watch multiple movies in a week. Heck, in a day. The mysterious films have become available. The emerging home video industry has certainly helped the availability of pornography. Porn can now be rented and seen at home, and it is a blessing for corneal people in the world.

Some films are still available only on VHS. A full industry was born from direct films to the video.

Fun trivia: VCRS (or video cassette recorders) was seen once as a threat by the main TV studios. Since consumers are now able to tape and maintain anything that might be broadcast, studios – specifically universal and Disney – were concerned that bootlegging would spread, and they will lose money. In fact, Disney and Universal sued the Betamax arm from Sony, hoping to stop manufacturing technology that threatens industry. After a few failures and appeal, the case reached the Supreme Court in 1983. The Supreme Court in favor of Sony clarified that Mister Rogers – everyone’s favorite neighbor – made it clear that his presentation He should It is recorded and spread. He said that some children were not necessarily able to see its width on time, and the cassette would allow them to watch whenever they could.

The idea of ​​scheduled TV started getting rid of the appearance of VCR, and piles of empty VHS bars were filled quickly with restarts. Day offers are now monitored at night, and vice versa. Individual rings can be seen several times a week. Viewers have noticed new details to monitor repetition. The lines have been saved. The films were seen three, four or five times in one day. The concerns grew. Coordination has been coordinated.

VCR, and the spread of VHS, are the reasons that make us a culture of obsessive today. It is easier to obsess and study when a movie or TV episode directly on your home, you can watch a moment.

DVD tablets in 1997 more or less closed VHS fate. DVD tablets were more popular than VHS tapes, and the oldest and lower coordination was removed. Certainly, it helped DVD to include auxiliary materials and that it occupies less space on the shelf. The last manufacturer of VHS technology, Sanyo, stopped making VCRS in 2016. It was the end of an era.