Margaret Qualley Sizzles In Ethan Coen’s Noir

Cinema is a cooperative, and in this way, there were many guidance teams that flow throughout the history of the movie. As with any cooperation, there is nothing to guarantee that the band be together forever, and sometimes the difference is already divided. The brothers Coen, Ethan and Joel, underwent such a creative separation at the beginning of this contract, as both men move to the production of their own films without each other. Unlike some creative divisions, Coens Post Breakup can not be more different from each other. Joel was made in 2021, entitled “Macbeth tragedy”, which is the adaptation of Shakespeare Moody, who called for Emmaar Berjman and Karl Theodore Dryer, Ethan cooperated with his wife, Trichia Cook, to manufacture “Salima”. Attention to dry humor and Noir movie.

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Upon release “Dolls”, Coen stated that he and Kok are planning a “B-Movie”, and after a little more than a year, the second film arrived in that objective trilogy: “Honey no!” It was named after the 1956 Carl Perkins song (which was recorded by dozens of artists such as the Beatles and Anda Jackson team, the last version of this movie), the film is another countryside in the modern era on Nuwair Al -Klassic, which is one of the plate. However, where the “dolls” that have long been a bit of a bit in her accent seemed to be, smartly of the efforts of the former brothers in Queen, such as “The Big Lieski” and “Burn after Reading”, “Honey Do!” Feel more unique. There is definitely a lot of non -serials, some deadly humor, and some delightful structures, but for the largest part, the film is interesting and more mood. He is playing as if Alison Anders was rewriting Jim Garmoush about the Black Chen Snio that was adapting to Raymond Chandler’s old novel or Dishil Hamit. With this attractive approach, Queen and Cook make “dear no!” Noir Shuja, exciting, exciting and private, becomes more attractive thanks to Margaret’s lead.

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“Dear no!” It starts with what seems like a great sequence on paper: a beautiful mya abova, which wears everything, puts the leopard, approaching a car recently shattered by a distant highway, with the dead body of the driver, a little girl, inside. In addition to that it is unclear whether this woman caused a deadly accident or not, the ambiguity deepens when it removes one ring from the hand of the dead girl, then she goes and swims in a nearby lake before she turns on her motorcycle. The episode is characterized by a certain type of cross, which we soon learn is the slogan of a local church called the Quartet Temple, which is run by Reverend Drou Devilin (Chris Evans). When a local private investigator Hani Odony is informed by her local contact with the investigator, Marti (Charlie Day), about the girl’s death and realized that she tried to rent her a few days ago, she takes it upon her to wander in the city and know what she might be mutual dealing with this unexpected disappearance.

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Since this classic setting of the story is, Coen and Cooke (which, such as “Drive-Away Dolls”, they also avoid this film without credit) avoid any shine from Glitz or Glamor that one might expect to see comes, especially if this is the Shane Black or Quentin Tarantino. Instead, managers decide to soak the entire film atmosphere in the soup of small despair, which is aesthetic that makes the opening of the opening of the opening of the film, hiding the names of filmmakers in signs among the streets of Bakersfields, California (there is a smart part of the graphic design that Coen admits from “John Huston”. Perhaps the word “despair” is very strong, where that is that The characters do not feel despair of escaping from Bicherfield because they have exhausted from that, after they resigned from their fate years ago. The threat and plots are brighter.

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The sun around “Honey no!” The orbits are Qualley, which again proves what is the tremendous talent that is with this performance. Of course, the actress has beauty and magnetic possessed by many stars, however it became clear with each appearance as a personal actress she has. It is difficult to choose the Qualley Doreen that looks similar; Certainly, there is a big gap between eager to satisfy Soo “matter” obsessed with the images and the meaningless position, and it gives up Jimmy in “Drive-Away Dolls”. Honey makes another character in Capley Filmography Cap, where the actress exudes a remarkable mix of confidence and confidence. Certainly, honey like women on the covers of old pulp crimes: high heels, colored dresses, and so on. However, it has never been confirmed, as the Peggy Schnitzer fashion designer maintains his honey in small fashion while looks great.

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It is a method that complements COEN and Cooke for honey, which is based on more. It was an easy crutch to give honey (and other characters) a set of super boiled dialogue, however, the book connects a needle to keep things look realistic but allow them to continue to get a surprise. All actors offer a meal from this approach; Evans again play by playing SLIZBALL, Day is a grave and unaware mixture, and Aubrey Plaza brings her left left approach to the center to MG, a policeman becomes a honey lover. But it is qualified who takes the film so precisely that it is still a pleasure to watch even if there is no one else in it.

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It is very cool to feel this type of type and that this is not interested in presenting the IP address or satisfying the crowds so that it can be easy to overlook the shortcomings. The most obvious of this is the fact that although it is believed that it is a dark comedy (and the proverbs of the old warriors, today, and Billy Ichner), “dear no!” Not all this is honest. Certainly, there are a few laughter that should be, and a fascinating audience can raise the funny factor of the film. However, the masks in the movie are likely to raise a smile of knowledge more than laughing of the abdomen. This creative option that serves the film well – Coen and Cooke calls again in the required Noir dialogue – has a side with the way in which all characters explode smart and intelligent but not more than just a smile.

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It is not as if Quinn is not trying, because it gives the priest Drew from the followers of Issa (Josh Bafchik), who resembles the delicious frogs that were seen in many of the Quinn brothers from “Arizona Raising” to “Fargo”, and it is full to see him and many other mistakes from mistakes while trying to implement success. However, Coen and Cooke seem to seem to maintain narrow control of the film’s tone, which means that we do not get Zany, which is unprecedented in controlling the previous brother’s films, or even the most wonderful “dolls”. It is a small complaint, for sure, but in the phrase Coen Brothers, it seems that the film has occurred between “no country for elderly men” and “Burn after Reading”, not very dark or very cartoon.

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In general, however, what the film lacks laughing more than compensation with the exhaustion of the thigh that spreads in each frame. The sexual activity of the film-which is mostly lesbian-is explicit as in “Drive-Away Dolls”, but it is less passionate. Where “Dolls” dealt with sexual matters in a sexual comedy in a sexual comedy (since this sub -type is one of the many types of exploitation films that have been played with it), “Honey” is more encounter. Even the priest Drew of two different sexes of two different sexes, some of whom have, have an honest embarrassment for them. Honey and MG’s physical comfort with each other extends to the same film: there is one scene after the toned nipple of MG is exposed to a long time that is not interrupted, but in the end all the concept of tickling in the background fades, allowing us to find a similar level of intimate relationship and understanding with these women with each other.

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Noir is a very flexible type. It is one that Quinn has been involved several times before, of course. However, it is difficult to think of another recently modern movie, which is quietly prevalent, and this is a matter of spread, and this is cool but wonderful. You should return to the 1970s, with films such as “The Long Goodbye”, or the nineties, with films such as “The Last Eduction”, or a decade ago, with Underseen 2015 “after it is too late. Fortunately, Coen and Cooke gave us an example of this contract for such a movie with the movie “Honey Don!” And it is a movie that may seem slight at first glance, but they have a great effect after the effect, such as the smell of cigarette smoke forever in the walls of the thirsty bar. Currently, this is my favorite in Coen’s B-MOVIE trilogy that is not completed yet, and unless they do nothing like the following “Lesbians in Space”, I don’t see that it falls into my country ranking.

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/Film classification: 7.5 out of 10

“Dear no!” It opens in theaters on August 22, 2025.