Steve Carell’s New Comedy Thriller Is HBO Max’s Most-Watched Movie Right Now

It is clear that Hollywood resigned from the sad reality of comedy is no longer viable as theatrical publications. It seems that there is hope for this type when Glenn Powell Swedish Sweeney Sweeny Rom-Kom achieved “anyone but you”, as he achieved $ 219 million at the box office around the world for a budget of $ 25 million. Unfortunately, this year was great, which is not intended to be the following what is an amount of performance that is not mentioned to what is not wonderful, which is an integral performance in the field of performance, but it is not aimed at the performance that does not represent it in the amount of $ 69.8. Chanting to return the large screen comedy).

I think it is absurd to remove the comedy completely, and it will cite a total of $ 51.9 million from the Kik Palmer-Palm-Fadl Al-Fadl for this year “one of their days” as evidence that people will appear, provided that the film is marketed correctly, but it is difficult to test this hypothesis when Hollywood remains shy around the gene. We will have to wait and see how the performance of the “Maadion” stars in Celine Song performs within two weeks, but until then I will let me wonder what would happen if it was released in “Mountainhead” from Jesse Armstrong, and his follow -up to the “Caliphate” finals, if released in Paris Multi -nation. Based on the first week numbers on HBO Max, this may be a success in the summer control program.

According to Flixpatrol, Armstrong’s satire around a group of billionaires from Douchebro, all of them gather in a high -rise decline because the rest of the world has decreased in chaos due to their reckless commercial decisions, which is currently the highest film on the platform. Although the film received somewhat prominent position on the first page of Streamer, I saw more aggressive batches that failed to generate many views.

There are warnings here. The “caliphate” may be a sense of the media with the smart social media group, but it did not do anywhere near the great numbers of HBO (this is likely why Armstrong went directly to the excellent TV service with “Mountainhead” instead of beating, for example, A24). Also, “Mountainhead”, which depends on the dialogue is basically a play, and its dramatic personality is all despicable like the Roy family. Although the actors’ team is stacked with a first -class talent (Steve Carrell, Korean Michael Smith, Rami Youssef and Jason Schwarzkman), their joke is very fake to speak in technology to the point that many viewers may face a problem in keeping up with it.

Aside from that, the film is a lot at the present time, as it deals with the horrors of artificial intelligence in artificial intelligence, deep counterfeit, and the conflict led by social communication in a way that calls for the caustic humor in Stanley Kubrick “Dr. Strengov or: How I learned to stop anxiety and love the bomb.” Although some critics have complained that Armstrong practiced heavy hammer instead of a scalpel, I do not think that the “caliphate” was particularly invisible, and B) calls for ridiculous times strongly to very angry sarcasm.

Although “Mountainhead” is small in the range, “Mountainhead” has great production values ​​that are enticed all the time. It was good for people to meet and heal collectively in the absence of people who destroy our lives. This will not change anything, but we certainly could use collective laughter.